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In the working-class district of old Marseille, Rosa is the heart and soul of her community, a nurse and the matriarch of a large and close-knit family. She meets Henri and realizes that it’s never too late to realize your own dreams. The collapse of buildings on rue d'Aubagne in Marseille occurred at 9:00 a.m. on November 5, 2018, killing eight people. These were two dilapidated buildings in the city center. This tragedy opens the film; Robert Guédiguian has become a dedicated director of our time. Like his fellow Englishman Kenneth Loach, Robert Guédiguian portrays the other side of the mirror; on the feel-good French scene, his work is more decisive than ever; because it’s not exactly those who call it a 'good feeling" despite the fact that there are moments in his work that give the viewer more pleasure than fashionable hip updates.his masterpieces " La Ville Est Tranquille" " Les Neiges Du Kilimanjaro" or the neglected "Une Histoire De Fous " lovely tales that go straight to the heart: generous, sassy, full of compassion.Rosa (the wonderful Arianne Ascaride, Guédiguian’s life partner and the main character in most of his films) these lines are the key to the film: “We should have two lives: one to take care ourselves, and the other is to take care of our fellow human beings “Like the director’s films, “et la fête on a chronicle of a Marseilles family, the script consists of sub-plots.I have always believed that Julien Duvivier Guédiguian’s closest relative, especially from the life of “la belle équipe” “sous le ciel de Paris” and “la fête à Henriette”: a devoted nurse – the scene when he consoled his black colleague, despaired because he did not hold the hand of his patient when he died, admirable – he is also an activist, so much he has a task at the same time that it becomes impossible for him to see through them; discouragement breaks out at the meeting of the candidates. His son has found the woman of his life and wants to have many children; in addition to the father of the bride-to-be, he is also an activist who falls in love with Rosa; it may seem melodramatic on paper, but Guédiguian’s treatment avoids pathos and dramatization; After escaping from shame, the young man’s love shows him that life can go on, even if not according to his plans. Her father (the wonderful Darroussin, Guédiguian’s favorite actor, often played alongside Ascaride) will be the light that still shines in Rosa’s darkest night. They will fight together against the “marchands de sommeil”. ; (sleeping merchants) who rent uninhabitable apartments in the scene, around the bust of Homer, where the voices multiply until they become one. The heroine eventually relents enough to admit that the personal is personal as well as political; this, in turn, makes ;Aznavour’s classic more lovely and effective."emmenez moi" – unlike most of his colleagues, Guédiguian uses the French songbook – a transparent metaphor: apart from the harsh realities of life, happiness is not unattainable.
